Ike & Tina Turner were an American musical duo active during the 1960s and 1970s, consisting of the husband-and-wife team Ike Turner and Tina Turner. Rolling Stone ranked them No. 2 on their list of the 20 Greatest Duos of All Time.

Beginning in 1960, they performed live as the Ike & Tina Turner Revue, supported by Ike Turner's band the Kings of Rhythm and backing vocalists called the Ikettes. The Ike & Tina Turner Revue was regarded as "one of the most potent live acts on the R&B circuit". Their live performances were a musical spectacle in the style of James Brown and the Famous Flames.

The duo's early recordings, which include "A Fool In Love", "It's Gonna Work Out Fine", and "I Idolize You", became high points in the development of soul music. Their later works are noted for interpretive re-arrangements of rock songs such as "Come Together", "Honky Tonk Woman", and "Proud Mary", the latter of which won them a Grammy Award in 1972. The Turners' professional and personal relationship ended in 1976, and their divorce was finalized in 1978.

Ike & Tina Turner were inducted to the Rock & Roll Hall of Fame in 1991. They have two singles inducted into the Grammy Hall of Fame, "River Deep – Mountain High" and "Proud Mary".

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Images: Xaver Walser https://www.instagram.com/xaverwalser/
Music: Regula Curti & Roland Frey (NJP Studio Zurich) https://www.instagram.com/beyondmusic/

Videoclip Editing & Upload: Benjamin Degrèse (TinaTurnerBlog) https://www.instagram.com/benjamin_degrese/

Tina Turner performing the “Heavenly Home” mix version of the song “Mother Within’ that was not included in the last Beyond, "Love Within" album released in 2014.

The song is a mix with vocals from 'Motherless Child' a song Tina recorded in 1968 on the 'Outta Season' LP, Buddhist mantra, Indians recitations, and Christian prayers.

Featuring vocals by the Beyond Ladies, Regula Curti, Dechen Shak-Dagsay & Sawani Shende.


GET 'BEYOND' (2009): http://goo.gl/uYccFZ
GET 'CHILDREN BEYOND' (2011): http://goo.gl/vfrDek
GET "BEYOND 'LOVE WITHIN' (2014): http://goo.gl/hiuNOG

ALL RIGHT RESERVED BEYOND FOUNDATION/PANORAMA

#TinaTurnerBlog #TinaTurner #TinaTurnerMantras

Provided to YouTube by Parlophone UK

Nutbush City Limits · Tina Turner

What's Love Got to Do with It?

℗ 1993 The copyright in this sound recording is owned by Touchstone Pictures under exclusive licence to EMI Records Ltd

Keyboards: Billy Livsey
Bass Guitar: Bob Feit
Producer: C.J. Mackintosh
Keyboards: C.J. Vanston
Drum Programmer: C.J. Vanston
Sound Engineer: Chris Lord-Alge
Producer: Chris Lord-Alge
Drums: Curt Bisquera
Backing Vocals: Cy Curnin
Producer: Dave Dorrell
Piano: David Paich
Unknown: Doug Sax
Guitar: Gene Black
Drums: Graham Broad
Drums: Graham Jarvis
Backing Vocals: Jacquelyn Gouche
Backing Vocals: Jam
Guitar: James Ralston
Backing Vocals: James Ralston
Guitar: Jamie West-Oram
Backing Vocals: Jean McClain
Guitar: Keith Scott
Trombone, Trumpet: Lee Thornburg
Keyboards: Nick Glennie-Smith
Trumpet: Rick Braun
Hammond B3 Organ: Robbie King
Producer: Roger Davies
Keyboards, Programmer: Rupert Hine
Backing Vocals: Sharon Brown
Percussion: Simon Morton
Keyboards: Steve DuBerry
Drum Programmer: Steve DuBerry
Backing Vocals: Steve DuBerry
Programmer: Steve McNamara
Guitar: Terry Britten
Backing Vocals: Terry Britten
Backing Vocals: Tessa Niles
Backing Vocals: The Tuck Back Twins
Guitar: Tim Pierce
Saxophone: Timmy Cappello
Backing Vocals: Timmy Cappello
Producer: Tina Turner
Vocals: Tina Turner
Drums: Trevor Morais
Writer: Tina Turner

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Trilha sonora do filme mad Max thunderbold que sinceramente amo demais #clássicos_antigos

Provided to YouTube by Parlophone UK

Better Be Good to Me · Tina Turner

Simply the Best

℗ 1984 Parlophone Records Ltd, a Warner Music Group Company

Unknown: Alan Yoshida
Backing Vocals: Cy Curnin
Guitar: Jamie West-Oram
Producer: Roger Davies
Bass Guitar: Rupert Hine
Keyboards, Percussion, Programmer: Rupert Hine
Producer: Rupert Hine
Backing Vocals: Rupert Hine
Engineer: Stephen W. Tayler
Unknown: Stephen W. Tayler
Vocals: Tina Turner
Backing Vocals: Tina Turner
Drums: Trevor Morais
Writer: Holly Knight
Writer: Mike Chapman
Writer: Nicky Chinn

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Video Edit By Km Music

Dancers

Anastasiia Kirilik
Elena Cruz-Nichipo
Video - Spot TIM - #HandMade
Video - Spot TIM - #Crew
Klaudia Zygmunt
SISSTA DUO girls
rebelindustry
Leslie Malave
Hayley Toth
genousse
Valeev420
Carena Ayala

Music

Tina Turner - Simply The Best (Cover Remix)

New old footage released by ET and ABC of Angela Bassett and Tina Turner on the set of What's Love Got to Do With It (1993)

https://www.youtube.com/watch?v=zFJN80LqRYM

https://www.youtube.com/watch?v=TjZcvzJpkWs

Robert Palmer mgREMIX (extended audio and video): https://youtu.be/VYDWNWWT-_I

Tina Turner - Proud Mary - Live Amsterdam Arena at 1996

Full Concert: https://youtu.be/JXENgxxPpQQ
----------------------------------------------------------------
Vocal:
- Tina Turner

Band:
- Kenny Moore - Piano/Backing Vocals
- Timmy Cappelo - Saxophone/Percussion/Backing Vocals
- Ollie Marland - Keyboards/Backing Vocals
- Jack Bruno - Drums
- John Miles - Guitar/Backing Vocals
- James Ralston - Guitar/Backing Vocals
- Bob Feit - Bass Guitar

Backing Vocals and Dancers:
- Karen Owens
- Sharon Owens
- Synthia Davila

Teamwork Productions Inc. 1996
---------------------------------------------------------------
#TinaTurner #LIVE #ProudMary

Provided to YouTube by Universal Music Group

River Deep - Mountain High · Ike & Tina Turner

River Deep-Mountain High

℗ An A&M Records Release; ℗ 1966 UMG Recordings, Inc.

Released on: 1966-01-01

Producer: Phil Spector
Studio Personnel, Recording Engineer: Larry Levine
Associated Performer, Recording Arranger: Jack Nitzsche
Associated Performer, Bass Guitar: Carol Kaye
Associated Performer, Drums: Hal Blaine
Associated Performer, Guitar: Barney Kessel
Associated Performer, Guitar: Glen Campbell
Associated Performer, Keyboards: Leon Russell
Associated Performer, Saxophone: Jim Horn
Associated Performer, Vocals: Tina Turner
Composer Lyricist: Phil Spector
Composer Lyricist: Jeff Barry
Composer Lyricist: Ellie Greenwich

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"Músicas Que Marcaram Época" viaja na máquina do tempo, revivendo, e fazendo reviver através da música, os anos áureos da juventude de uns, do crescimento de outros, das vivências de cada um. Venha viajar no tempo! Facebook "Músicas Que Marcaram Época!" https://www.facebook.com/M%C3%BAsicas...
Os "Bons Tempos Tem Que Voltar!"
Algumas músicas e vídeos têm o poder de nos transportar para aquela época e proporcionar boas memórias.

"When You Walk In the Room" by Pam Tillis
Listen to Pam Tillis: https://PamTillis.lnk.to/listenYD

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Lyrics:
I can feel a new expression on my face
I can feel a glowing sensation taking place
I can hear the guitars playin' lovely tunes
Every time that you walk in the room
I close my eyes for a second and pretend it's me you want
Meanwhile I try to act so nonchalant
I feel a summer's night with a magic moon
Every time that you walk in the room
Baby it's a dream come true
Standin' right along side of you
Wish I could show you how much I care
But I only have the nerve to stare
I can feel a something pounding in my brain
Just any time that someone speaks your name
Trumpets sound I hear thunder boom
Every time that you walk in the room

#PamTillis #WhenYouWalkInTheRoom #Country

I hate to put you all through this, but . . .
Disclaimer: I claim no rights or ownership. I believe this constitutes a “fair use” of any such copyrighted material as provided for by YouTube’s “fair use” rule, and in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, the material here is distributed, without profit, to those who have expressed a prior interest in receiving the included information for research, educational and entertainment purposes. My sole purpose in posting the Mel Tillis and related videos is my own attempt to keep Mel Tillis alive and relevant for all past, present and hopefully future fans. I provide these posts to help the younger generation become aware of Mel Tillis (and other older artists), and what he/they contributed to country music and the entertainment world in general. I will accept no profit, nor will I claim any ownership of material. In addition, I was employed by Mel Tillis for 37 years and was, more often than not, an active participant in these video and audio recordings as keyboardist, musical director, band leader, as well as composer and arranger.

Mel Tillis and Pam Tillis w/ The Statesiders - "Waitin' On The Wind" - Prime Time Country - June 8, 1998. I finally got some decent camera time - I'm standing right behind Pam. This is one of the first times I ever played my brand new Kurzweil 2500XS.

Provided to YouTube by Arista Nashville

Every Time · Pam Tillis

Every Time

℗ 1998 Arista Records LLC

Released on: 1998-05-25

Acoustic Guitar, Electric Guitar, Guitar, Producer: Billy Joe Walker Jr.
Drums, Percussion: Eddie Bayers
Recording Engineer: Steve Tillisch
Mixing Engineer: Bill Schnee
Background Vocal: Dennis Wilson
Recording Engineer: Tyler Gish
Recording Engineer: Steve Lowery
Background Vocal: Verlon Thompson
Recording Engineer: Chris Mara
Background Vocal: Timothy B. Schmidt
Recording Engineer: Marty McClantoc
Composer, Lyricist: Tommy Lee James
Background Vocal: Wes Hightower
Recording Engineer: Alan Schulman
Background Vocal: Carl Jackson
Composer, Lyricist: Jennifer Kimball
Recording Engineer: Chris Stone
Background Vocal: Suzi Ragsdale
Background Vocal: Beth Neilsen Chapman
Mastering Engineer: Hank Williams
Background Vocal: Leslie Satcher
Background Vocal: Jamie O'Hara
Accordion: Tony Harrell
Drums: Lonnie Wilson
Bass: Michael Rhodes
Bass: Glenn Worf
Electric Guitar: Richard Bennett
Electric Guitar: Brent Mason
Electric Guitar: Brent Rowan
Acoustic Guitar: Larry Byrom
Steel Guitar: Sonny Garrish
Piano: John Jarvis
Synthesizer: John Hobbs
Organ, Synthesizer: Steve Nathan
Fiddle: Stuart Duncan
Fiddle: Aubrey Haynie
Guitar: Dan Dugmore
Guitar: Glen Duncan
Harmonium: Jelly Roll Johnson

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---I do not own the copyright to this music <br />"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

Having had his initial success as a songwriter in his early career, it wasn't until the 1970s that Mel Tillis had his biggest success with a string of top 10 hits. He also won many prestigious awards such as the CMA Entertainer of the Year and a National Medal of Arts award for his contribution to country music.<br /><br />"Burning Memories", released in 1977, reached #9 on the US Country Charts and #7 on the Canadian Country Charts.<br /><br />This performance was recorded live at Church Street Station in Orlando, Florida.

Mel Tillis singing some of his greatest hits live at Church Street Station at the Cheyenne Saloon in Orlando, Florida. ⬇️<br />1:11 - Stay a Little Longer<br />3:34 - Good Woman Blues<br />4:59 - I Got the Hoss<br />6:56 - Burning Memories<br />8:59 - Send Me Down to Tuscon<br />11:02 - Rose of El Paso<br />14:50 - Ruby, Don't Take Your Love to Town<br />17:55 - I Believe in You<br />20:29 - In the Middle of the Night<br />25:55 - Detroit City<br /><br />Lonnie Melvin Tillis (August 8, 1932 – November 19, 2017) was an American country music singer and songwriter. Tillis' biggest hits include "I Ain't Never", "Good Woman Blues", and "Coca-Cola Cowboy".<br /><br />In 1976, he was awarded Entertainer of the Year at Country Music Association Awards' before being inducted into the Nashville Songwriters Hall of Fame later that year. In 2012 he was awarded the National Medal of Arts for his contributions to country music by President Barack Obama.<br /><br />Tillis achieved chart-topping success with more than three dozen Top 10 hits and recorded more than 60 albums throughout his career. This included Top 10 country hits, "These Lonely Hands of Mine" and "She'll Be Hanging Around Somewhere" and a Top 5 with "Heart Over Mind", which peaked at No. 3 on the Hot Country Songs list in 1970.<br /><br />In 1972, Tillis achieved his first chart-topper with his version of his song "I Ain't Never" originally sung by Webb Pierce. Tills achieved most of his success under MGM Records with records such as "Heaven Everyday" (1970), "Commercial Affection" (1970), "Arms of a Fool" (1970), "Take My Hand" (a duet with Sherry Bryce in 1971), and "Brand New Mister Me" (1971). His biggest success with MCA Records started with a pair No. 1 hits in 1976, "Good Woman Blues" and "Heart Healer". In addition to the close No. 1, "Neon Rose" reaching No. 3 and "Sawmill", which reached No. 2 on the US Country Chart. Other hits Tillis had on MGM include "Stomp Them Grapes" (1974), "Memory Maker" (1974), "Woman in the Back of My Mind" (1975), and his version of "Mental Revenge" (1976). He achieved another No. 1 in 1978 with "I Believe In You" and once more in 1979 with "Coca-Cola Cowboy".<br /><br />Before Mel found fame he worked for the United States Air Force, end even spent time working on the railroad. He also dabbled in the film industry, appearing in W.W. and the Dixie Dancekings (1975), The Villain (1979), Smokey and the Bandit II (1980), and The Cannonball Run (1981).<br /><br />© One Media iP 2017

The official video for Pam Tillis & Kris Thomas' collaboration "Two Kings"

Frank Bruno vs James Tillis in a ten round non-title heavyweight bout<br /><br />Date: March 24, 1987<br /><br />Venue: Wembley Arena, London<br /><br />Bruno stance: orthodox<br /><br />Tillis stance: orthodox<br /><br />Frank Bruno got his first shot at a world title when he challenged Tim Witherspoon for the WBA belt in 1986. After a promising start, Bruno faded late in the fight, and was stopped in the eleventh. Bruno then took eight months off.<br /><br />James Tillis also challenged for the WBA title, losing on points to Mike Weaver in 1981. Since then, he had lost most of his fights with contenders, including Pinklon Thomas, Greg Page and Tim Witherspoon. Tillis had given a good account of himself against Mike Tyson in 1986, with some observers believing he should have been given the win that night. His record was 36-11-1, and was clearly past his best, but still capable of giving a stern test to any heavyweight who underestimated him.<br /><br />For an in depth look at their respective records, visit:<br /><br />Frank Bruno - https://boxrec.com/en/proboxer/505<br /><br />James Tillis - https://boxrec.com/en/box-pro/803